Our thanks go to all those who have contributed to this project, which has been made possible with the support of London College of Fashion Research Department, and in particular of Tony Kent, Associate Dean of Research at LCF, and of Professor Helen Thomas, University of the Arts London. Kate Dorney, V&A curator of Modern and Contemporary Performance has been invaluable in supporting the film, as have all at Blythe House, in the V&A Theatre and Performance archives, especially Claire Hudson, Jane Pritchard and Cathy Haill. Thank you also to Susana Hunter and all in the conservation department for access, information and feedback.
The Research Department at the V&A have also been extremely generous in their support of this research, specifically Christopher Breward, Liz Miller and Glenn Adamson, and special thanks go to the Society of British Theatre Designers, in particular to Greer Crawley, Peter Farley and Ian Evans.
Credits:
Concept development and realisation: Donatella Barbieri visit website
Website Designer: Hui Hui Ng sidehuis@gmail.com
Website Developer: Adam Jones visit website
Film Maker: Netia Jones visit website
Book produced by Book Works visit website
Research Assistant: Emily Collett
Design Assistant: Claire Suckall
Victoria and Albert Museum visit website
Cromwell Road, London SW7 2RL
Transformation and Revelation: Gormley to Gaga, UK Design for Performance 2007 - 2011
London College of Fashion, University of the Arts, London visit website
20 John Princes Street,
London W1G 0BJ
V&A Theatre and Performance Archive, Blythe House
23 Blythe Road,
London
W14 0QX (email: tmenquiries@vam.ac.uk)
Society of British Theatre Designers visit website
Photograph by Donatella Barbieri. Object copyright for Sylph costume, from Le Bal (1929), by Giorgio de Chirico © DACS 2012
Website text copyright by Donatella Barbieri
Website text copyright by Donatella Barbieri